Each program is built around real technique, not theory. Find the one that fits where you are right now and what you genuinely want to create.
See learning program
Select any program to read full details, schedule, and what to prepare before the first session.
A focused course on constructing botanical wreaths using dried, fresh, and preserved plant materials. Suitable for those with basic floristry knowledge who want to work more deliberately with form and texture.
A two-day intensive workshop examining how colour relationships function in floral composition. Participants leave with a clearer method for building palettes and making colour decisions under real working conditions.
A structured course for florists preparing to take on wedding commissions. Covers the full process from initial client consultation through to day-of production, with particular attention to pricing and timeline management.
Sessions are designed to be dense without being rushed. You work through material in a sequence that mirrors how florists actually develop — observation first, then repetition, then independent judgment.
Live demonstration
Watch the technique performed in real time with explanation of each decision made along the way.
Guided practice
Attempt the same technique yourself with structured feedback at each stage rather than at the end.
Independent work
Apply what you practiced to a new brief without prompting — this is where understanding actually forms.
participants per session, so feedback is specific not general
typical program length, enough time to build real muscle memory
all sessions run in real time, no pre-recorded substitutes
rooted in Ukrainian floral tradition with contemporary technique
Each program includes a detailed supply list sent two weeks before the start date. Working with your own materials matters — it changes how you handle them and what you notice about quality differences.
Each instructor brings a specific background that shapes what they teach and how. You will know before you register whose approach you are learning from.
Seasonal composition & colour theory
Studied under a Kyiv-based botanical illustrator before shifting to three-dimensional work. Focuses on how colour relationships shift across different lighting conditions.
Structural arrangements & mechanics
Worked as a set designer before moving into floral work. Brings an architectural understanding of weight, balance, and hidden support structures to every arrangement.
Dried & preserved botanical work
Specialises in materials that most florists overlook. Teaches how to select, prepare, and combine preserved elements so they hold their form and colour over time rather than fading within months.
Leave your email and a brief note about where you are in your practice. Someone from Cenulor Bifax will respond within one working day with a straightforward recommendation — no sales call, no pressure.